Image Galleries

Letizia Battaglia, Sorrow for the murdered son, August 8, 1980
Alice Hausdorff, Untitled (Workers). Date Unknown. Photograph.
Cooperative Beato Angelico; from left: Teresa Montemaggiori, Stephanie Oursler, Carla Accardi, Eva Menzio, Nedda Guidi, Suzanne Santory, Leonilde Carabba and Anna Maria Colucci, Rome 1976. Photo @ Archivia – Fondo Sizanne Santoro
Alice Hausdorff, Untitled (The Dancer Gertrud Kraus). Date Unknown. Photograph.
William E. James, 1867, Pompey’s Pillar in Alexandria, Egypt.
Letizia Battaglia, Prostitute and Friends murdered by the Mafia for not respecting the rules, March 1, 1983.
Liselotte Grschebina. Yemenite Jewess Smoking Nargileh, Tel Aviv 1937
Hayv Kahraman’s Entanglements No 1, 2021. Photograph: Fredrik Nilsen Studio/Courtesy of the artist/Pilar Corrias
Abdulnasser Gahrem, Men at Work, 2010, Bates College Museum of Art
Alexia Peskine, Raft of Medusa: Le Retour de la Vague, 2016, Digital video, duration 5 minutes, images from Alexis Peskine’s personal website. Two images from this video series.
Alexia Peskine, Raft of Medusa: Le Retour de la Vague, 2016, Digital video, duration 5 minutes, images from Alexis Peskine’s personal website. Two images from this video series.

Marie Lucas-Robiquet, Intérieur à Bretti-Ounif (Sud-Oranais) [Interior beni Ounif (South Oran)] c. 1909, oil on canvas, 121.9 X 166.1 cm, private collection
Marie Lucas-Robiquet (1858-1959), Tisseuses à Gabès, Tunise [Weavers in Gabes, Tunisia], 1906, oil on canvas, 122 x 94 cm, private collection.
Tahedat filant, Marie Aimee Lucas-Robiquet, 1909, 33.5 x 41 cm.
Image: Postcard of lace making in the Maison Lavigerie, c. 1900. Photographer unknown. Fonds Beit el Bennani, taken from Making Modernity
Image: Postcard of a weaving atelier of the Maison Lavigerie, a Catholic missionary school in Carthage, c. 1900. Photographer un known. Fonds Beit el Bennani.
Kader Attia, Parfum d’exil, 2018, concrete mixer, motor, cloves. Exhibition: Silence Kills, Year and place: 2019-20. Galleria Continua-Les Moulins.
“Home to Go” 2001, Adrian Paci

Barca Nostra, Venice Biennale, 2019, Christoph Büchel.
Lundy, Louis, Barge, and Troy, 2014, by Ergin Çavusoglu
Stazione, 2008-2009, Emily Jacir, from https://peolasimondi.com/en/exhibits/16-stazione
Stazione, 2008-2009, Emily Jacir, from https://peolasimondi.com/en/exhibits/16-stazione
Musan Museum of Underwater Sculpture, 2021, Ayia Napa, Cyprus, Jason deCaires Taylor, photo by Andrey Bizyukin.
Musan Museum of Underwater Sculpture, 2021, Ayia Napa, Cyprus, Jason deCaires Taylor, photo by Andrey Bizyukin
Musan Museum of Underwater Sculpture, 2021, Ayia Napa, Cyprus, Jason deCaires Taylor, photo by Andrey Bizyukin

Towards an ominous time I, 2022, Bowdoin Museum of Art, Sarah Zapata
Shadi Ghadarian, Like Every Day Series, 2000-2000, C-print
A mend: A collection of scraps from local seamstress and tailors (Chicago)(2011).
Figure and Panel, 2013, Fransje Killaars.

The Living Room, Sandi Hilal, part of the “Public Luxury” exhibition at ArkDes in Stockholm, Sweden in Fall 2018. Image courtesy of ArkDes
The Living Room at the Yellow House in Boden, Sweden. Image courtesy of Decolonizing Art Architecture Research (DAAR).
Image from The Conflict Shoreline, Eyal Weizman and Fazal Sheikh, 2021.
Silos Apocalypse world map, 1091-1109, Manuscript, parchment on vellum, Beautus of Liébana, British Library, London, Add Ms. 11695
Letizia Battaglia, Woman watching the funeral of communist representative Pio La Torre, Palermo, May 5, 1982.

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